These songs usually have a very punctuated rhythm precisely for this reason, along with a call-and-answer format. Well before the nineteenth century, sea songs were common on rowing vessels. Such songs were also very rhythmic in order to keep the rowers together. Because many cultures used slaves to row, some of these songs might also be considered slave songs. Improvised verses sung by sailors spoke of ills with work conditions and captains. These songs were performed with and without the aid of a drum. Western music was directly influenced by the folk music traditions of immigrants in the nineteenth century as they moved west.
They reflected the realities of the range and ranch houses where the music originated, played a major part in combating the loneliness and boredom that characterised cowboy life and western life in general. Industrial folk song emerged in Britain in the eighteenth century, as workers took the forms of music with which they were familiar, including ballads and agricultural work songs, and adapted them to their new experiences and circumstances.
As a result, industrial folk songs tended to be descriptive of work, circumstances, or political in nature, making them amongst the earliest protest songs and were sung between work shifts or in leisure hours, rather than during work. This pattern can be seen in textile production , mining and eventually steel, shipbuilding, rail working and other industries.
As other nations industrialised their folk song underwent a similar process of change, as can be seen for example in France, where Saint-Simon noted the rise of 'Chansons Industriale' among cloth workers in the early nineteenth century, and in the USA where industrialisation expanded rapidly after the Civil War. Lloyd defined the industrial work song as 'the kind of vernacular songs made by workers themselves directly out of their own experiences, expressing their own interest and aspirations This tendency was even more marked in early American industrial songs, where representative heroes like Casey Jones and John Henry were eulogised in blues ballads from the nineteenth century.
From Wikipedia, the free encyclopedia. For other uses, see Work song disambiguation. Main article: Sea shanty. Main article: Western music North America. Main article: Industrial folk song. Cohen, 'Worksongs: a demonstration of examples', in A. Reuss Indiana University Press, , pp.
Peek and K. Burrows Brothers Company. University Musical Encyclopedia: A history of music. Volo, The Antebellum Period Greenwood, , p. Journal of Black Studies Vol. New York: Routledge, New Jersey: Prentice-Hall, Inc.
The Illustrated Encyclopedia of Music 1st ed. Fulham, London: Flame Tree Publishing. San Francisco Chronicle. Archived from the original on September 5, Retrieved August 24, Routledge Handbook of Islam in the West. Bogdanov, C. Woodstra and S. Shepherd, Continuum Encyclopedia of Popular Music, vol.
Cohen and D.
Subscribe to Our Blog
Peddie, ed. Singing , songs , and songwriting. Categories : Work music. Namespaces Article Talk. Springsteen just happens to be one of the few artists brave enough to revisit the subject again and again, even if this tune sports a peppy musical tone and rhythm that sets it apart from similar, darker compositions.
Everybody expects a Loverboy song to make this list, but we're going to toss a curveball and leave off the ubiquitous and overrated "Working for the Weekend" to make room for this lesser-known rocker from 's "Lovin' Every Minute of It".
- Scuba Stanley: Explorer of the Seven Seas;
- Meditations For Eucharistic Adorers: Day by Day.
- GRIEFWISE : TAKING GOOD CARE OF YOURSELF.
- The Work Songs of Enslaved Africans Have Shaped American Culture.
The reason for that choice is that, aside from the title, the band's most famous tune really isn't about work at all. Like Springsteen, Loverboy here presents fast cars as solace in the face of life's drudgeries, but the band also manages to inject something at least somewhat profound in the observation that working often amounts to "biding one's time" waiting for a better day. The erosion of industrial bases has long devastated communities, but Joel's lyrical specifics and biting understanding of what it feels like to have one's livelihood rejected or shelved really hits hard emotionally.
Well, this one's a no-brainer, a great pop song that deftly combines the '80s social issue of the ever-increasing flood of women into the workplace with good old-fashioned wage-earner struggles. The song's lyrics chronicle the tough times a struggling female member of the working class has in making ends meet, and there's a definite poignancy to the way the tune's protagonist somehow finds a way to feel her work is worthwhile. The fact that the lyrics can also function as a warning to men everywhere serves as a nice bonus.
Songs to Grow On, Vol. 3: American Work Songs | Smithsonian Folkways Recordings
Former disco queen Donna Summer makes her '80s stamp here, and the tune manages somehow to be both timeless and dated. In the case of this tune, Hornsby organically writes about something he knows well as a native of the shipping center of coastal Virginia. His dockworker protagonist longs for a better life but doesn't complain about breaking his back.
And at the heart of the song is romantic yearning, a layer that provides the extra emotional punch. This Prince-penned monster hit for The Bangles is an '80s classic on several levels, but its treatment of matters of the workplace stands as particularly unique.
Labor Day Playlist: 20 Songs About Working for the Man
Dread surrounding the onset of Monday is definitely not a new subject for pop music , but the song's bridge cleverly turns the topic on its head. As Susannah Hoffs sings of an inconveniently timed amorous proposal from her lover, "Manic Monday" becomes a wistful meditation on the clash between mundane obligations and the joys of life. Perhaps no song on this list paints work in a more agonizing way than this early-'80s Sheena Easton gem. After all, work is the one thing that keeps her poor, train-riding beau away from the apparently constant pleasure provided at home by Easton's love-starved narrator.
Oh, the clock watching that must go on at this guy's office! On the other hand, the romantic encounters might not be as satisfying if the lovers lolled at home together all day every day, with one or the other asking for a romp every day at noon. Then again